When ex-NFL great Lawrence Taylor was arrested for allegedly raping a minor, youth sex trafficking hit the national spotlight. In a trend that spans across America, young women, most of whom seem to be lured in to the sex trade with promises of money, shelter and sometimes love, are finding themselves as prostitutes in a ring organized by their "protectors."
Haley Volpintesta, a Chicago-based human rights advocate with 10 years of experience working with youth impacted by the sex trade, nationally and internationally, and the juvenile and criminal justice systems says that while many young women are coerced into prostitution, many others engage in survival sex, trading sex for basic needs like food and shelter, even in the Unites States of America. "They may see their involvement in the sex trade as temporary, until they can figure out how to get their needs met in other ways," she says.
So basic tools of survival lead some girls to trade sex for money?
Some young people find themselves in situations where they are relying on very limited choices because their very basic needs aren't met. Coming from an abusive home, not having a safe place to live, not having food or even feeling pressured to meet a certain standard with clothes may lead them to the sex trade. This industry is motivated by poverty and capitalism. Around the country and internationally, not having what one needs to live often make this, for some people, a realistic thing to do.
How are girls recruited into the sex trade?
One girl I worked with had been dating a man for more than a year. When he asked her to move to New York it was on the premise that he would help her go to college and they would build a life together. She was completely unaware that he was a pimp. In situations where young people are runaways, pimps often act as a caring adult who can rescue them from the unsafe streets, only to find out that they are expected to pay for that 'care' and 'protection' through sex work. Through building rapport with the young person and convincing her that the sex trade is a "good choice" or necessary to uphold their relationship, girls are lured into the life. Some have reported drugs being used to keep them compliant.
Who are the girls? Are they runaways, juvenile delinquents, or promiscuous teens?
Many of the women were involved with an intimate partner who was involved in sex work. We think about pimps in a very particular way but in many instances these pimps are their boyfriends. This prostitution is another manifestation of domestic violence.
Who is more at risk for being a child prostitute?
Missing or runaway youth are definitely at a greater risk for recruitment and entry. Exploitation of young women through sex affects populations that are disproportionately targeted by oppression. In certain ways these populations become vulnerable to institutions like the sex trade.
Who are the pimps? Some of the pimps are peers of these young women. Has the identity of who a pimp is changed?
We get so caught up in this imaginary of who a pimp is and what a pimp does and what he looks like and we forget that sometimes we are talking about a young man who has experienced some of the same things that make girls vulnerable to trade sex for money. They are coming from violent homes. They are coming from homes where they have seen this before; where they have seen women degraded before. They have experienced violence and have limited resources and they figure out how to hustle. Selling women for a while came with far less consequences than selling drugs did. And now that law enforcement is taking a different position on this issue and who is to blame, you are seeing the issue of pimping under a different kind of lens.
Is race relevant in the discussion of the youth sex trade?
Young women involved in the sex trade cross race and class barriers. No one is out of the running. It is just as much an option for a white girl in a small rural town as it is for a wealthy girl living in the big city. We can't ignore race, class or nationality when talking about the sex trade, but it is a real possibility for all girls.
Are these young women looking for a way out?
For young people whose entry and participation is pimp controlled, which was the case for most of the young women and girls I met and worked with, their sexual exploitation by someone with whom they may identify as a boyfriend or caretaker complicates their ability to stop or leave. The exploitation within their relationships was another manifestation of violence, and their exit needed to be strategized like any situation of domestic violence. Pimps may react with violence or threats of violence based on their expectation that something is owed to them. Additionally, some young people feel connected to their exploiter in different ways, and they may need to leave a number of times while processing their experiences in the sex trade and building new relationships and a support system before they are really ready and feel confident in their plan. Sometimes the embarrassment and humiliation that can accompany their recruitment into the sex trade forecloses the possibility of reaching out to family or other people with whom they previously trusted. One young woman who I worked with after an arrest received an alternative to incarceration and came to GEMS (Girls Educational and Mentoring Services) for services and support. During that time, she was able to talk about what was happening and think through her options. After reaching out to an aunt, she was able to come up with a plan to leave. Her aunt helped her tell her mother and she was able to move forward with her family's support.
How do you help a loved one leave the sex trade?
Listening without judging is absolutely necessary. Refrain from calling someone a prostitute or whore. Do not violate the person's confidence and trust by sharing what they tell you. Talk through other options if they are interested. Look into social service providers who may be able to offer support. If you are an authority figure to the young person, do not respond with a consequence, this will violate trust and push the young person away. It is ultimately better to know the truth and offer assistance when requested than making the person feel bad for what is not their fault. It is very possible that the young person imagines a different life for herself. Being supportive, understanding, and nonjudgmental as possible will make you a trusted resource.
For a judgment-free space for teens to dialogue about the sex trade check out:
www.youarepriceless.org
Allan Houston Teams with The Ambassador
Former NBA star Allan Houston has launched a partnership with hip-hop websites DaSouth.com and HolyCulture.net to present Grace and Truth with The Ambassador. The weekly series marks the return of Cross Movement alumnus and founder The Ambassador and will feature topical Bible study with the hip-hop veteran. The series kicked off May 18, 2010 and will air live every Tuesday evening at 9p ET at AllanHouston.com.
A Prayer For Those Who Serve
Today I pray the Prayer of Protection for all who serve with courage and integrity to depend and accelerate life and freedom in this country and throughout the world. May the Omnipresent Spirit of God guide, enlighten, protect and prosper you men and women who serve, providing you with ample portions of patience, courage, endurance, compassion and all else that you need be fulfilled as you move us closer to a unified, harmonized and peaceful world that works for all mankind. And so it. Amen.
May you be blessed in your service to God and Country,
Asa - CEO of PO Soul Entertainment
http://www.posoulentertainment.com/
May you be blessed in your service to God and Country,
Asa - CEO of PO Soul Entertainment
http://www.posoulentertainment.com/
New Bibles Help Children and Teens Cope With Life Through Scriptures
Coping with depression. Dealing with worry. And tackling fear all are lessons taught in a new Bible series geared toward African American youth called 'My Holy Bible for African-American Children' and 'Our Heritage & Faith Holy Bible For African-American Teens.'
The releases arrive just in time for Easter, one of the most important holidays in the Christian faith. For teens, they come in color palattes for girls (pictured) and boys.The Bibles come at a time when the nation's youth are experiencing a so-called crisis of faith or lethargy, said Wade Hudson, the nationally acclaimed author and publisher of Just Us Books, who along with his wife, Cheryl Hudson, served as general editors of the Bibles. The project took a year of research and writing.
Hudson hopes the Bibles will serve as a foundation for today's youth to help them move toward religion to seek answers instead of away from the church.
He sees today's youth as possessing a devil-may-care attitude, a trend he fears may have played a role in the death of a 15-year-old Massachusetts girl who recently committed suicide after a spate of bullying by nine teens.
At the core of a lot of problems I see today is that many people feel disconnected to anything of value, including their parents, close friends and God,'' Wade Hudson said.
"So many of us are just wandering alone in the universe and not understanding that we are connected to something larger. I think these Bibles will help our youth to begin to understand their lives and give them a sense of purpose. Having a strong spiritual connection to the Lord is important. It's key to feeling good about who you are and accepting other people. We are all in this together.''
Indeed, the teen Bible offers ways to deal with emotional issues such as being bullied and bullying through a special "question and answer" section at the back of the Bible. When depressed and overwhelmed, for example, the teen Bible urges readers not to deny their feelings. "Read Psalm 42:11" (You gave us up to be devoured like sheep and have scattered us among the nations).
"The psalmist acknowledges his depression,'' the excerpt reads. "He did not pretend he didn't feel awful. You cannot get help when other people don't know how you are doing. Follow his example. Expect to get better.''
When worried, the teen Bible urges readers "to trade your worry for something better -- peace.'' When fearful, it reminds readers that "God's help is to make YOU the conqueror of your own fear.''
"In spite of Sunday school classes, children don't get a good understanding of what our Christian faith is all about,'' Hudson said. "We felt there was a need to develop a vehicle for children and young adults to help them understand what their faith is all about. There are so many young people who are turned off from the church experience. We wanted to provide them with a resource in a presentable, non-threatening way.''
To that end, the children's Bible tries to "connect the spiritual challenges and triumphs of today's youth with the journeys of well-known Bible heroes.'' It illustrates biblical stories with people of color, including striking images of Daniel in the Lion's Den, David and Goliath and, of course, Mary, Joseph and Baby Jesus. The teen Bible, on the other hand, attempts to address the traditions of the African-American church.
One hundred six pages of articles and essays help teens understand religious heritage, forms of worship and the roots of their Christian faith. Photos help readers relate to contemporary religious figures, ceremonies and experiences. Eight pages of maps help readers imagine the world during biblical times.
'Our Heritage and Faith Holy Bible for African-American Teens' is available in both the New International Version (NIV) and King James Version (KJV) translations.
"I think we need to delve deeper into the Bible stories to add meaning to our lives,'' Wade Hudson said. "That's what these books are all about, teaching the younger generation to find nourishment in the Holy Bible.''
Kirk Franklin Reveals the Secrets to Surviving Life's Storms
If you thought you knew gospel artist Kirk Franklin through his music and interviews about his porn addiction and childhood abandonment, think again. The seven-time Grammy award winner opens up further in his new autobiography, due to hit shelves on May 18.
This time, however, he provides a blueprint to help others triumph over life's challenges through his powerful and awe-inspiring life story in 'Kirk Franklin: The Blueprint, A Plan for Living above Life's Storms.' Developing a blueprint includes embracing "non-sexies" or good works that do not involve obvious payoffs, examining your relationships with others and establishing a good support team.
"I didn't have any blueprint when I was coming up, any kind of instruction manual on how to be a man,'' he writes. "All you have to do is look at any city corner to know that my education was flawed. And so was my behavior. Many of us had either no blueprint or a bad one -- maybe you had to be a daddy to a drunk daddy or mama to a mama who was raising you all alone.''
Franklin's blueprint looked like this: His father abandoned him at an early age, and his mother flat out told him she did not want him. She eventually left him in the hands of an impoverished and un-nurturing aunt.
As a result, he learned to fend for himself on the gritty streets of Fort Worth, Texas. By age 11, he believed that sex equaled love and became a teenage father. He smoked, drank, use drugs and developed an addiction to pornography that would last through adulthood. He was on the fast route to self-destruction until he developed a father-son relationship with God and his pastor, Tony Evans, who helped him begin to etch out a blueprint for his life.
"There are so many vivid examples from my own flawed upbringing,'' he writes. "I never saw a man who was faithful to his wife. Think about that one -- not one! I was told by my own mother that she did not want me, that she had wanted to abort me. That messed me up real bad!''
The twain between Franklin's award-winning music and his life story is remarkable. In one case, he sings about his past in a hit single 'Let it Go,' from the best-selling album, 'Hero.' The song seems so much like the precursor to 'The Blueprint'' that this writer mistakenly thought the name of the single was 'The Blueprint.'
In 'The Blueprint,' Franklin provides ample steps for developing a relationship with God, which can lead to developing a road map for your life. Here are five:
1 .Embrace the non-sexies: What are the things in your life that do not win applause, do not earn bonuses and do not always return what you give? Those are the things you need to be committed to.
2. Examine the fruit: Some of you may ask, 'How do I know if I'm working with the right blueprint, the one that will relieve me from the despair?' We have to pay attention to what our souls are trying to tell us as we attempt to walk the right path. If the fruit doesn't look right or smell right, keep steppin.
3. Not even Kobe can do it alone: It is possible that these changes you begin to make within yourself won't be warmly embraced or understood by the people who are close to you. In this case, you have to let everybody know how they're going to benefit from a better you. You have to reinforce what everybody's going to get from it.
4. This is your life--not a step program: 'This program is a life-long journey, not a step program. I think the most destructive thing we have done to people is we have given them steps. But the kind of meaningful change I'm seeking for you does not come in steps.
5. God brings order to confusion: Why do bad things happen to good people? I don't know. But when I look through the lens of God's love letters and promises, I see the pieces of life's puzzles come together. If I can trust Him with all the hell and horrible things in my life-things that made sense in the end-you can, too.
This time, however, he provides a blueprint to help others triumph over life's challenges through his powerful and awe-inspiring life story in 'Kirk Franklin: The Blueprint, A Plan for Living above Life's Storms.' Developing a blueprint includes embracing "non-sexies" or good works that do not involve obvious payoffs, examining your relationships with others and establishing a good support team.
"I didn't have any blueprint when I was coming up, any kind of instruction manual on how to be a man,'' he writes. "All you have to do is look at any city corner to know that my education was flawed. And so was my behavior. Many of us had either no blueprint or a bad one -- maybe you had to be a daddy to a drunk daddy or mama to a mama who was raising you all alone.''
Franklin's blueprint looked like this: His father abandoned him at an early age, and his mother flat out told him she did not want him. She eventually left him in the hands of an impoverished and un-nurturing aunt.
As a result, he learned to fend for himself on the gritty streets of Fort Worth, Texas. By age 11, he believed that sex equaled love and became a teenage father. He smoked, drank, use drugs and developed an addiction to pornography that would last through adulthood. He was on the fast route to self-destruction until he developed a father-son relationship with God and his pastor, Tony Evans, who helped him begin to etch out a blueprint for his life.
"There are so many vivid examples from my own flawed upbringing,'' he writes. "I never saw a man who was faithful to his wife. Think about that one -- not one! I was told by my own mother that she did not want me, that she had wanted to abort me. That messed me up real bad!''
The twain between Franklin's award-winning music and his life story is remarkable. In one case, he sings about his past in a hit single 'Let it Go,' from the best-selling album, 'Hero.' The song seems so much like the precursor to 'The Blueprint'' that this writer mistakenly thought the name of the single was 'The Blueprint.'"My mama gave me up when I was 4 years old,'' he raps at the beginning of 'Let it Go.' "She didn't destroy my body, but she killed my soul. Now, it's cold because I'm sleepin' in my back seat. I understand the spirit's with m,e but my flesh is weak. Let me speak. I never had a chance to dream. Ten-years-old and finding love in dirty magazines. Miss December, remember I bought you twice? Now I'm 30-plus and I'm still paying the price."
But Franklin was able to stop overcome his obstacles by getting rid of textbook religion and developing a close relation to God, he said. Today, he and his wife, Tammy, have been happily married for 14 years and are the proud parents of four children. And since the release of his self-titled debut album in 1993, he has been an innovator, mixing hip-hop and gospel. 'Kirk Franklin and the Family' changed musical history when it became the first gospel album to sell more than a million units.
"We can't live by a bunch of rules,'' he said. "We were created to have an intimate relationship with God. Most of us treat God like a spare tire. We go to him when we are sick, when we are pregnant, when we are about to lose our job or when we are scared. He wants a father-son or father-daughter relationship with us. He doesn't want us to stop by when we have a problem. We need to develop a one-on-one relation with life's architect, God.''In 'The Blueprint,' Franklin provides ample steps for developing a relationship with God, which can lead to developing a road map for your life. Here are five:
1 .Embrace the non-sexies: What are the things in your life that do not win applause, do not earn bonuses and do not always return what you give? Those are the things you need to be committed to.
2. Examine the fruit: Some of you may ask, 'How do I know if I'm working with the right blueprint, the one that will relieve me from the despair?' We have to pay attention to what our souls are trying to tell us as we attempt to walk the right path. If the fruit doesn't look right or smell right, keep steppin.
3. Not even Kobe can do it alone: It is possible that these changes you begin to make within yourself won't be warmly embraced or understood by the people who are close to you. In this case, you have to let everybody know how they're going to benefit from a better you. You have to reinforce what everybody's going to get from it.
4. This is your life--not a step program: 'This program is a life-long journey, not a step program. I think the most destructive thing we have done to people is we have given them steps. But the kind of meaningful change I'm seeking for you does not come in steps.
5. God brings order to confusion: Why do bad things happen to good people? I don't know. But when I look through the lens of God's love letters and promises, I see the pieces of life's puzzles come together. If I can trust Him with all the hell and horrible things in my life-things that made sense in the end-you can, too.
Jennifer Hudson Reveals How She Became a Size 6
A month following the announcement of her endorsement deal with Weight Watchers, Academy Award winner Jennifer Hudson has already witnessed positive results from the company's products.
In the new issue of People magazine, Hudson says that she's "in the best shape" of her life, slimming down from a size 16 to a slender size 6.
The actress's newfound weight loss is also due in part to her forthcoming role as Nelson Mandela's ex-wife in the biopic 'Winnie.' The 28-year-old said she was determined to lose her post-pregnancy weight, noting that she would do "whatever it takes to morph into a character."
"With Weight Watchers, I am enjoying the weight loss because I'm doing it the right way. I feel empowered with what I've learned," she told the weekly just last month. "Everything from portion control to what foods will help keep me satisfied -- it's a lifestyle change, not a diet."
With production set to begin in South Africa on May 31, Hudson's Weight Watchers counselor, Liz Josefsberg, is more than optimistic that the actress will stick to her diet regimen.
"She will need to investigate every new product on this new continent," Josefsberg explained to People. "I am not the least bit worried about Jennifer. ...She is an amazing and resilient personality who will be just fine in her surroundings."
On the heels of her breakout role in 'Dreamgirls,' the former 'American Idol' castoff graced the covers of magazine such as Ebony, Essence and Vogue as the new face of big and beautiful. Now, she's on People looking slim and trim.
Do you think Jennifer Hudson will keep off the weight?
In the new issue of People magazine, Hudson says that she's "in the best shape" of her life, slimming down from a size 16 to a slender size 6.
The actress's newfound weight loss is also due in part to her forthcoming role as Nelson Mandela's ex-wife in the biopic 'Winnie.' The 28-year-old said she was determined to lose her post-pregnancy weight, noting that she would do "whatever it takes to morph into a character."
"With Weight Watchers, I am enjoying the weight loss because I'm doing it the right way. I feel empowered with what I've learned," she told the weekly just last month. "Everything from portion control to what foods will help keep me satisfied -- it's a lifestyle change, not a diet."
With production set to begin in South Africa on May 31, Hudson's Weight Watchers counselor, Liz Josefsberg, is more than optimistic that the actress will stick to her diet regimen.
"She will need to investigate every new product on this new continent," Josefsberg explained to People. "I am not the least bit worried about Jennifer. ...She is an amazing and resilient personality who will be just fine in her surroundings."
On the heels of her breakout role in 'Dreamgirls,' the former 'American Idol' castoff graced the covers of magazine such as Ebony, Essence and Vogue as the new face of big and beautiful. Now, she's on People looking slim and trim.
Do you think Jennifer Hudson will keep off the weight?
Kirk Whalum: Jazz Saxophonist Still Speaking the Gospel According to Jazz
Kirk Whalum's talents have taken him all over the world. He's worked with the likes of Luther Vandross, Whitney Houston, and Quincy Jones, to name a few.
He's an eight-time Grammy nominee and two-time Stellar Award winner. His uncle and nephew are both saxophonists (his nephew recently toured with Maxwell), his brother is a singer, and his son is a bassist and singer-songwriter.
Music is not only in Whalum's blood (he played the sax solo on 'I Will Always Love You'), but it's also a family affair.
His latest release, 'The Gospel According to Jazz III,' is slated for release next month via Rendezvous Records. This talented act isn't letting fame go to his head, though. He's humble and rooted in his faith. If you don't know, get familiar.
We recently caught up with Whalum to talk all things music and where Whalum's most likely to find inspiration.
You grew up in a musical family as a pastor's kid. Would you say music was with you from the very beginning?
Absolutely. Music chose me. But even if I hadn't been that intrinsically destined to do music, I was still surrounded by it. My grandmothers were both musicians.
It's a family affair.
It's a family affair, and that's something I kind of resisted for the longest time. At a certain point, I had to go, "Wait a minute." It was a family affair long before I got here.
Your latest project is 'The Gospel According to Jazz, Chapter III,' which will be released on March 16. Tell me about that.
'The Gospel According to Jazz' is about that pursuit of excellence in one's craft as a worship to God. My devotion to that instrument and trying to really master an instrument is my primary worship to God. I certainly worship him with my mouth. I just praise God. I try to serve him in whatever way I see fit. Loving my wife, well, that's a worship to God. I do that not just because I love her, but because I know that pleases God.
'The Gospel According to Jazz' is so profound not because the songs are likable. It's deeper than that. When people see the DVD, they're transfixed; 5- and 6-year-olds will sit there and watch that whole DVD. I've seen it happen too many times, because you're watching the results of years of devotion to an instrument. We've got all the hype around something like 'AmerKirk Whalumican Idol,' and rightfully so, it's really cool. But, there is nothing like seeing somebody who has been playing an instrument or singing for years.
You mentioned 'American Idol.' Those kind of shows are for entertainment and quick output. What would you say about the current music scene?
What I do is absolutely not traditional jazz. I love that music, and I will always be pursing that music, because when I listen to Coltrane or Michael Brecher or Charlier Parker or Dexter Gordon or Miles Davis, I hear something that I aspire toward. So, that music will always inspire me and I will always want to do it. I hear Branford Marsalis and Kenny Garrett...these are my heroes.
But I grew up in Memphis, so really I'm a soul musician. I'm a gospel, soul, R&B musician. Jazz came later for me when I was in high school.
About the current scene, I'm really excited in many ways about hip-hop, because it is the jazz of today. It's the music that encapsulates black culture and kind of presents it to the world.
I grew up with hip-hop, and it's becoming harder to defend it. But it's like a love-hate relationship.
Love-hate, yes. I do have lots of problems with misogyny and violence, particularly misogynistic culture. And the bling-bling. All that is so useless to me. There is that kind of exaggerated bravado that is part of our culture and that is fun. But when the industry gets a hold of that and takes it to a direction that's negative and destructive, especially, toward women, I resent that. And I don't think that's the heart and soul of hip-hop.
Your experience growing up on hip-hop is similar to, say, my parents growing up on jazz. When I hear The Roots, I hear, absolutely, a direct umbilical cord back to that era. There's this improvisation, like the New York tap dancers and the cats who used to challenge each other. All of that was a part of black culture. And black culture is the salt of the whole world culture. And it sounds kind of arrogant, but it's true. And I do believe hip-hop is the modern-day jazz.
Talk about the fusion of jazz and gospel.
There was never a time when jazz and gospel were not together, it was just a well-kept secret.
Why was this a well-kept secret?
Because of the fact that it was culturally convenient in the religious setting to have this sort of duality in place where there was secular life and sacred life. So, that way you can say what is wrong and what is right. That is sort of a convenient way of dealing with the issue of temptation. But when you can approach life from a holistic point of view, that it's just one life and you try to live that life with integrity and the way that pleases God, you're going to have bad days, you're going to have the blues. And so, what are you gonna play when you have the blues? You gonna play a gospel song? You probably need to play the blues.
It's a very interesting dichotomy in which secular audiences are not wanting to be imposed upon with your gospel message, but by the way, they really do want to hear good news. Who don't want to hear good news, especially right now? We all need some good news. Then you got your religious folks, who are highly offended by your secular. So we move our bodies. Is that somehow supposed to be wrong?
In Africa we were moving our bodies.
We were moving our bodies. It's a part of our culture. I'm insulted that somehow people try to make it taboo. Now, we're going back. Not just black people, but the world is appreciating Africa's preeminence when it comes to things cultural, things artistic. When we talk about the civilized versus uncivilized argument, African intelligence and wisdom was an oral tradition. They didn't have to write it down. And you couldn't take that away.
Talk about success and what that means.
I think we sell ourselves short, and I have done that when it comes to the pursuit of success. A hit record. Material success. Sometimes, we can sell ourselves short, because really the main thing is that God would be pleased with what I have accomplished on this instrument.
'The Gospel According to Jazz, Chapter II,' is a two-disc CD that fuses jazz and gospel. The album will be released March 16 by Rendezvous Records -- and distributed by Mack Avenue Records -- and includes a special hi-definition DVD. You can learn more about Kirk Whalum and his music at kirkwhalum.com
He's an eight-time Grammy nominee and two-time Stellar Award winner. His uncle and nephew are both saxophonists (his nephew recently toured with Maxwell), his brother is a singer, and his son is a bassist and singer-songwriter.
Music is not only in Whalum's blood (he played the sax solo on 'I Will Always Love You'), but it's also a family affair.
His latest release, 'The Gospel According to Jazz III,' is slated for release next month via Rendezvous Records. This talented act isn't letting fame go to his head, though. He's humble and rooted in his faith. If you don't know, get familiar.
We recently caught up with Whalum to talk all things music and where Whalum's most likely to find inspiration.
You grew up in a musical family as a pastor's kid. Would you say music was with you from the very beginning?
Absolutely. Music chose me. But even if I hadn't been that intrinsically destined to do music, I was still surrounded by it. My grandmothers were both musicians.
It's a family affair.
It's a family affair, and that's something I kind of resisted for the longest time. At a certain point, I had to go, "Wait a minute." It was a family affair long before I got here.
Your latest project is 'The Gospel According to Jazz, Chapter III,' which will be released on March 16. Tell me about that.
'The Gospel According to Jazz' is about that pursuit of excellence in one's craft as a worship to God. My devotion to that instrument and trying to really master an instrument is my primary worship to God. I certainly worship him with my mouth. I just praise God. I try to serve him in whatever way I see fit. Loving my wife, well, that's a worship to God. I do that not just because I love her, but because I know that pleases God.
'The Gospel According to Jazz' is so profound not because the songs are likable. It's deeper than that. When people see the DVD, they're transfixed; 5- and 6-year-olds will sit there and watch that whole DVD. I've seen it happen too many times, because you're watching the results of years of devotion to an instrument. We've got all the hype around something like 'AmerKirk Whalumican Idol,' and rightfully so, it's really cool. But, there is nothing like seeing somebody who has been playing an instrument or singing for years.
You mentioned 'American Idol.' Those kind of shows are for entertainment and quick output. What would you say about the current music scene?
What I do is absolutely not traditional jazz. I love that music, and I will always be pursing that music, because when I listen to Coltrane or Michael Brecher or Charlier Parker or Dexter Gordon or Miles Davis, I hear something that I aspire toward. So, that music will always inspire me and I will always want to do it. I hear Branford Marsalis and Kenny Garrett...these are my heroes.
But I grew up in Memphis, so really I'm a soul musician. I'm a gospel, soul, R&B musician. Jazz came later for me when I was in high school.
About the current scene, I'm really excited in many ways about hip-hop, because it is the jazz of today. It's the music that encapsulates black culture and kind of presents it to the world.
I grew up with hip-hop, and it's becoming harder to defend it. But it's like a love-hate relationship.
Love-hate, yes. I do have lots of problems with misogyny and violence, particularly misogynistic culture. And the bling-bling. All that is so useless to me. There is that kind of exaggerated bravado that is part of our culture and that is fun. But when the industry gets a hold of that and takes it to a direction that's negative and destructive, especially, toward women, I resent that. And I don't think that's the heart and soul of hip-hop.
Your experience growing up on hip-hop is similar to, say, my parents growing up on jazz. When I hear The Roots, I hear, absolutely, a direct umbilical cord back to that era. There's this improvisation, like the New York tap dancers and the cats who used to challenge each other. All of that was a part of black culture. And black culture is the salt of the whole world culture. And it sounds kind of arrogant, but it's true. And I do believe hip-hop is the modern-day jazz.
Talk about the fusion of jazz and gospel.
There was never a time when jazz and gospel were not together, it was just a well-kept secret.
Why was this a well-kept secret?
Because of the fact that it was culturally convenient in the religious setting to have this sort of duality in place where there was secular life and sacred life. So, that way you can say what is wrong and what is right. That is sort of a convenient way of dealing with the issue of temptation. But when you can approach life from a holistic point of view, that it's just one life and you try to live that life with integrity and the way that pleases God, you're going to have bad days, you're going to have the blues. And so, what are you gonna play when you have the blues? You gonna play a gospel song? You probably need to play the blues.
It's a very interesting dichotomy in which secular audiences are not wanting to be imposed upon with your gospel message, but by the way, they really do want to hear good news. Who don't want to hear good news, especially right now? We all need some good news. Then you got your religious folks, who are highly offended by your secular. So we move our bodies. Is that somehow supposed to be wrong?
In Africa we were moving our bodies.
We were moving our bodies. It's a part of our culture. I'm insulted that somehow people try to make it taboo. Now, we're going back. Not just black people, but the world is appreciating Africa's preeminence when it comes to things cultural, things artistic. When we talk about the civilized versus uncivilized argument, African intelligence and wisdom was an oral tradition. They didn't have to write it down. And you couldn't take that away.
Talk about success and what that means.
I think we sell ourselves short, and I have done that when it comes to the pursuit of success. A hit record. Material success. Sometimes, we can sell ourselves short, because really the main thing is that God would be pleased with what I have accomplished on this instrument.
'The Gospel According to Jazz, Chapter II,' is a two-disc CD that fuses jazz and gospel. The album will be released March 16 by Rendezvous Records -- and distributed by Mack Avenue Records -- and includes a special hi-definition DVD. You can learn more about Kirk Whalum and his music at kirkwhalum.com
Gospel Musicians Charged With Church Break-ins
They played and sang uplifting spiritual music for several churches, but after the praise and worship and soul food fellowship was through, police say they came back and stole more than $100,000 worth of equipment from several Georgia churches.
Police charged gospel singers Deshawn Rico Thomas, 28, of Augusta and Rico Pionegro Blackshear, 28, of Dublin with nine counts of theft and burglary.Police had been investigating break-ins at several central Georgia churches. A tipster suggested they take a closer look at Thomas and Pionegro. A search warrant revealed the stolen equipment in the pair's vehicles and homes.
No one is perfect. I'm not sure what would push these two men to praise the Lord one minute and then steal the equipment that other Christians use to praise the Lord in the next. It's not about what we do or say in public that counts but what happens when no one is looking. As my mother quoted to me all the time as a child, "What you do in the darkness shall come to light."
If these men are found guilty of theft, the churches that they stole from have an opportunity to practice what they preach and forgive these two wayward men.
What do you think?
Do these men deserve a second chance?
Police charged gospel singers Deshawn Rico Thomas, 28, of Augusta and Rico Pionegro Blackshear, 28, of Dublin with nine counts of theft and burglary.Police had been investigating break-ins at several central Georgia churches. A tipster suggested they take a closer look at Thomas and Pionegro. A search warrant revealed the stolen equipment in the pair's vehicles and homes.
No one is perfect. I'm not sure what would push these two men to praise the Lord one minute and then steal the equipment that other Christians use to praise the Lord in the next. It's not about what we do or say in public that counts but what happens when no one is looking. As my mother quoted to me all the time as a child, "What you do in the darkness shall come to light."
If these men are found guilty of theft, the churches that they stole from have an opportunity to practice what they preach and forgive these two wayward men.
What do you think?
Do these men deserve a second chance?
Christophers Gourmet Grill: Great Burgers in Portland, OR
This place has got some great burger deals. That burger up there is the "Louisiana Cheese Burger" with a delicious spicy hot link topper along the usual suspects. With fries its $5.50.
They also have chicken burgers, fish burgers, and the "Man Up Cheese Burger" (bacon, egg, double cheese, and a hot link).
Christophers Gourmet Grill
(503) 939-4643
3962 Ne M L King Blvd, Portland, OR 97212 Get directions
Cross Streets: Between NE Shaver St and NE Failing St
Neighborhoods: King Portland, OR, Northeast Portland, OR
Tell Them Asa from PO Soul Sent Ya!!!
They also have chicken burgers, fish burgers, and the "Man Up Cheese Burger" (bacon, egg, double cheese, and a hot link).
Christophers Gourmet Grill
(503) 939-4643
3962 Ne M L King Blvd, Portland, OR 97212 Get directions
Cross Streets: Between NE Shaver St and NE Failing St
Neighborhoods: King Portland, OR, Northeast Portland, OR
Tell Them Asa from PO Soul Sent Ya!!!
New PO Soul Entertainment Website
Check out our new website. It is a great place to go to hear and see wonderful things happening around the NW. Here are a few thing that stand out about this new website.
- Free Online Bible
- Watch TBN Live on our website
- Get info on other gospel companies - ITM Live, Genuine Life Records and more
- PO Soul TV
- Read PO Soul Radio News
Subscribe to:
Posts (Atom)











